Sunday, 11 August 2019
Brecon Jazz Festival
The end of course performance was at St Mary's Church at the Brecon Jazz Festival.
I was in 3 ensembles and the whole-class ending performance.
I played my 5-string electric bass that I bought some time back from Rockstar Guitars. It's not a flashy Fender but Dameon had set it up really well and it sounds good.
I played these songs:
Handmaiden;
Yuca Con Mojo;
A 12 bar blues;
Someone You Loved.
Junior Jazz
This week I attended the Junior Jazz Summer School at the Royal Welsh College of Music & Drama in Cardiff!
There were young children of varying ages grouped together in different small ensembles and also a whole-course group to play an end-of-week performance at the Brecon Jazz Festival!
It was really good since you had plenty of assistance from the many tutors there and you could choose what jazz types you fancied. There were 30 nice, enthusiastic children attending.
I stayed in the Premier Inn and ate pizzas and Beefeater food.
Monday, 5 August 2019
Sunday, 28 July 2019
Nervous Twitch
Shonen Knife's support band were Nervous Twitch and they put on a good act with a great surfy-rock sound.
The lead singer was playing a really good-looking Danelectro Longhorn bass through an Orange amp.
I was running out of money, so I only bought a badge from the merch stand.
I would like to see them again.
You can find them here:
https://www.facebook.com/nervoustwitchband
https://nervoustwitch.bandcamp.com/
The lead singer was playing a really good-looking Danelectro Longhorn bass through an Orange amp.
I was running out of money, so I only bought a badge from the merch stand.
I would like to see them again.
You can find them here:
https://www.facebook.com/nervoustwitchband
https://nervoustwitch.bandcamp.com/
Shonen Knife official blog
This is Shonen Knife's official blog, where you can see some photos of the gig. Can you see me in one of the photos?
http://www.shonenknife.net/blog/
http://www.shonenknife.net/blog/
Shonen Knife @ Square Chapel, Halifax
Halifax looked a nice town with a big Caffe
Nero. The Square Chapel arts centre is convenient to get to and for
parking. The staff were friendly and there was no age restriction for
the concert. I also had an ice cream in their café which was delicious but it was more filling than I expected because it was made from proper cream!
Shonen Knife Merch!
I bought some merchandise: 3 T-shirts, their latest signed CD and a Naoko pick. And the good thing was, because it was the last date of the UK tour, everything was discounted!
Shonen Knife Pick
At the end of the concert, Atsuko (the bass player) gave me the pick she was using for the concert itself! Thanks, Atsuko; I shall treasure it.
Shonen Knife Signing & Photo
Shonen Knife Concert
Great concert. I gave it 9 out of 10; I would have given it 10 out of 10 but I got soaked in the torrential rain earlier!
It was in a small room, packed with roughly 100 people, making the atmosphere better. I stood near the front to get a better view!
They played very well together. Risa, the drummer, was going really mad!
Thanks to Shonen Knife for coming to the UK and a venue where under-18s can attend!
It was in a small room, packed with roughly 100 people, making the atmosphere better. I stood near the front to get a better view!
They played very well together. Risa, the drummer, was going really mad!
Thanks to Shonen Knife for coming to the UK and a venue where under-18s can attend!
Friday, 26 July 2019
Saturday, 20 July 2019
Link Wray Rumble FUZZ!
https://www.youtube.com/watch?v=fHEmDLQKrrk
I like the huge fuzz, the way he grabs attention from the start and how the band works together.
The guitar is a '66/67 Japan Yamaha SG-2 twin single-coil he called, "Screaming Red".
He'd added an onboard distortion in case his valve amp wouldn’t distort.
His Boss Compression Sustainer pedal was on permanently, all knobs at 'max'.
Bass player Hutch Hutchinson, drummer David Weber, from John Cipollina's Copperhead.
Full Concert:
https://www.youtube.com/watch?v=KVb9jtxnTQA
A red Yamaha SG-2.
https://www.guitar-list.com/sites/default/files/styles/model_display/public/gearpics/yamaha-sg-2.jpg
I like the huge fuzz, the way he grabs attention from the start and how the band works together.
The guitar is a '66/67 Japan Yamaha SG-2 twin single-coil he called, "Screaming Red".
He'd added an onboard distortion in case his valve amp wouldn’t distort.
His Boss Compression Sustainer pedal was on permanently, all knobs at 'max'.
Bass player Hutch Hutchinson, drummer David Weber, from John Cipollina's Copperhead.
Full Concert:
https://www.youtube.com/watch?v=KVb9jtxnTQA
A red Yamaha SG-2.
https://www.guitar-list.com/sites/default/files/styles/model_display/public/gearpics/yamaha-sg-2.jpg
Friday, 19 April 2019
Fender CD-60CE
This is my new acoustic guitar and my first Fender - a Fender CD-60CE.
I bought it from Damian at Rockstar Guitars.
With a laminated nato body and spruce top, it looks great and sounds great acoustic or plugged in.
Here it is:
https://youtu.be/m32qdNZcooE
I bought it from Damian at Rockstar Guitars.
With a laminated nato body and spruce top, it looks great and sounds great acoustic or plugged in.
Here it is:
https://youtu.be/m32qdNZcooE
Sunday, 24 March 2019
Sunday, 10 March 2019
El Lissitzky
I had to do a poster for school so I decided to do an avant-garde design influenced by El Lissitzky.
The poster's message is, "Keep going! Never give up! Always try your best!", which applies to music - you have to practice!
Unlike one of my favourite composers, Shostakovitch, El Lissitzky didn't fall foul of Stalin - lucky for him!
The poster's message is, "Keep going! Never give up! Always try your best!", which applies to music - you have to practice!
Unlike one of my favourite composers, Shostakovitch, El Lissitzky didn't fall foul of Stalin - lucky for him!
Thursday, 21 February 2019
Sunday, 3 February 2019
Ernest Tubb and Jonathan Richman.
A couple of songs I played at the last Ubiquitous Open Mic.
Ernest Tubb and Jonathan Richman.
https://www.youtube.com/watch?v=2tPIFs0lwmw
https://www.youtube.com/watch?v=aHvGb-XUQh0
Ernest Tubb and Jonathan Richman.
https://www.youtube.com/watch?v=2tPIFs0lwmw
https://www.youtube.com/watch?v=aHvGb-XUQh0
Friday, 28 December 2018
Sunday, 16 December 2018
Robert Johnson Cairn
Great report from Bob Langley on Nationwide in 1970 about a cairn memorial to the Delta Blues maestro, ROBERT JOHNSON.
Built by 19-year-old Bruce Gardner in the Scottish Borders.
But where is it, and is it still there?
I found a "Drumelzier" on Google Maps and compared the satellite view with the black and white video view. Result!
But I can't zoom in close enough to see if the cairn is still there.
Bruce would have been born in 1951 so he would be 67 now - is he still alive and does he still live in Drumelzier?
Here's the video:
https://www.bbc.co.uk/programmes/p04hcfkz
Built by 19-year-old Bruce Gardner in the Scottish Borders.
But where is it, and is it still there?
I found a "Drumelzier" on Google Maps and compared the satellite view with the black and white video view. Result!
But I can't zoom in close enough to see if the cairn is still there.
Bruce would have been born in 1951 so he would be 67 now - is he still alive and does he still live in Drumelzier?
Here's the video:
https://www.bbc.co.uk/programmes/p04hcfkz
Tuesday, 11 December 2018
Sunday, 18 November 2018
Arecibo Sound
Google had a doodle for the Arecibo Message the other day so I looked it up.
It was a message for alien life sent in 1974 to the star cluster M13 some 25,000 light years away! The message had 1,679 binary bits at a frequency of 2,380 MHz with 10 Hz modulation. It was at the speed of 10 bits per second, or 600 bpm.
I played the pattern on my Yamaha keyboard using the Vox Humana voicing and frequency scaled down to A note, 220Hz, because we can't hear 2,380 MHz! I recorded that onto my Tascam recorded and edited it in Audacity. I recorded it at 100bpm, but Audacity speeded it up to 300bpm, half the speed of the actual message, because it sounded best.
I wanted a static fuzz effect so I used an English Electric Lightning jet engine sample from my Samsynth Blue Noize Project. I chose the Lightning because in it's time, it was cutting edge but it's a bit obsolete nowadays like the Arecibo Message.
That was good but not very musical so I added a "Lost In Space" woo-woo sound using the oscillator in my Blue Noize Machine.
I used some stereo panning in Audacity so wear those headphones!
https://soundcloud.com/samsswingnskank/arecibo-sound
It was a message for alien life sent in 1974 to the star cluster M13 some 25,000 light years away! The message had 1,679 binary bits at a frequency of 2,380 MHz with 10 Hz modulation. It was at the speed of 10 bits per second, or 600 bpm.
I played the pattern on my Yamaha keyboard using the Vox Humana voicing and frequency scaled down to A note, 220Hz, because we can't hear 2,380 MHz! I recorded that onto my Tascam recorded and edited it in Audacity. I recorded it at 100bpm, but Audacity speeded it up to 300bpm, half the speed of the actual message, because it sounded best.
I wanted a static fuzz effect so I used an English Electric Lightning jet engine sample from my Samsynth Blue Noize Project. I chose the Lightning because in it's time, it was cutting edge but it's a bit obsolete nowadays like the Arecibo Message.
That was good but not very musical so I added a "Lost In Space" woo-woo sound using the oscillator in my Blue Noize Machine.
I used some stereo panning in Audacity so wear those headphones!
https://soundcloud.com/samsswingnskank/arecibo-sound
Saturday, 17 November 2018
Tubb Fest!
Ernest Tubb Fest at the Ubiquitous Open Mic last week. I played 'Thanks A Lot' and 'Just A Drink Away'. It was great but I didn't have the big cowboy hat!
I was playing through an Ammoon American amp-simulator pedal into the PA system. The Ammoon is the same as the more expensive Joyo American which is a copy of the more expensive Tech 21 Blonde! It lets you get a variety of amp sounds into the clean PA without having to carry a big amp around. I dialed in a slightly dirty Fender sound, and I think it sounded pretty good and was convenient because you can power it off a 9V battery.
Here's the video:
https://www.youtube.com/watch?v=b7ZNoi9WF4A
Pedal:
https://www.ammoon.com/p-i1712.html
I was playing through an Ammoon American amp-simulator pedal into the PA system. The Ammoon is the same as the more expensive Joyo American which is a copy of the more expensive Tech 21 Blonde! It lets you get a variety of amp sounds into the clean PA without having to carry a big amp around. I dialed in a slightly dirty Fender sound, and I think it sounded pretty good and was convenient because you can power it off a 9V battery.
Here's the video:
https://www.youtube.com/watch?v=b7ZNoi9WF4A
Pedal:
https://www.ammoon.com/p-i1712.html
Saturday, 8 September 2018
Planets Synth.
I was listening to a programme on Radio 4 about rhythms, and
they used the orbits of the planets as a musical rhythm, so I decided to do the
same using an oscillator synthesizer.
I adapted my old synthesizer written in HTML and javascript
that runs through a web browser.
Firstly I worked out a frequency for each planet
proportionally scaled on their distance from the Sun. Because of the huge
distances of the outer planets I had to use a different scale for them.
For the planets' beeps per minute, I worked out a
proportional tempo based on the orbits. I found a good tempo for Mercury first
(240bpm), then calculated the other planets based on that. Again because of the
huge numbers, I have to use a separate tempo range for the outer planets, otherwise
the inner ones would have been beeping too fast or the outer ones too slowly.
Once I had that sounding good I thought it would be great to
add modulation based on the number of large Moons each planet had, and also
some delay.
Here is the final result.
Audio track for looping through a bass amp!
BBC Radio 4.
Friday, 24 August 2018
Junior Jazz
This week I attended the Junior Jazz Summer School at the Royal Welsh College of Music.
There were young musicians of different ages working together to present a public end-of-week performance in the college.
It was very good because you had lots of assistance from the tutors and they made it really fun, plus you could choose which jazz types you wanted to do. There were about 30 young musicians attending and they were all really nice and enthusiastic.
I played the following songs:
Dark Eyes by Django Reinhardt,
Little Sunflower by Freddie Hubbard,
Blues In The Closet by Oscar Pettiford.
Here are some tasters from the end-of-week public performance.
https://youtu.be/ILbXynZjquU
https://youtu.be/KFzmfhCRgX4
https://youtu.be/BHDPmHWnHp8
https://www.rwcmd.ac.uk/other/rwcmd_community/summer_schools__short_courses/courses/junior_jazz.aspx
There were young musicians of different ages working together to present a public end-of-week performance in the college.
It was very good because you had lots of assistance from the tutors and they made it really fun, plus you could choose which jazz types you wanted to do. There were about 30 young musicians attending and they were all really nice and enthusiastic.
I played the following songs:
Dark Eyes by Django Reinhardt,
Little Sunflower by Freddie Hubbard,
Blues In The Closet by Oscar Pettiford.
Here are some tasters from the end-of-week public performance.
https://youtu.be/ILbXynZjquU
https://youtu.be/KFzmfhCRgX4
https://youtu.be/BHDPmHWnHp8
https://www.rwcmd.ac.uk/other/rwcmd_community/summer_schools__short_courses/courses/junior_jazz.aspx
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